Posts Tagged ‘Painting’

The Pin-Up Queen

Tuesday, October 27th, 2009
Charlene Lanza

Charlene Lanza

…..No stranger to the studio, pin-up artist Charlene Lanza and TW met through a mutual friend, fellow painter and guest blogger Mikel Elam back in the nineties while they we’re hanging out regularly in Soho. Recently, the artist and the photographer met again for a portrait sitting and to introduce her latest works to our growing audience. Ms. Lanzel is an American artist, originally from LaCrosse, Wisconsin. Born in 1967, she started to paint with passion at the age of five. Self taught and determined to exhibit her works beyond the confines of a small town, she moved to New York City at the age of 20 and has been enjoying the creative process in the Big Apple ever since.

We are delighted to introduce a sampling of her work to you. To learn more about Charlene’s painting’s, log on to www.charlenelanzel.com…….

Erotica

Painting Of The Day

Friday, October 23rd, 2009
Nirvana By Mikel Elam

Nirvana By Mikel Elam

…..Guest Blogger, Patrick Breslin a professor of Speech Communication at Santa Fe College in Gainesville, Florida; writes a commentary about Mikel Elam’s state of “Nirvana”, the studio’s Painting of the Day…….

Mikel Elam’s painting titled “Nirvana” depicts a male figure seated in meditation. The painting is a partial patchwork: the figure’s head encased in an orange square, the torso in a dark gray one. The background contains light colored disks, gold leaf squares, and dark purple 5-spoked behandled circles reminiscent of Buddhist icons, all ensconced in rectangular shapes. The dominant shade at the bottom of the painting is also purple, suggesting a base or ground, and philosophically linked to the icons; the top is adorned with swaths of blue, suggesting sky.

The meditator in the painting is a multiracial collage. The head appears African; the torso a shade of bronze; the lower abdomen and legs partake of a dark Caucasian complexion; the arms lighter—the left hinting at orange, the right bordering on pink—, and both terminating in an empty space of unpainted hands.

The title of the piece suggests several interpretations. Nirvana by definition refers to the ultimate peaceful state, and the multiracial makeup of the subject of the painting seems to propose that the blending of races, or at least their acceptance of one another, might lead to a peaceful existence. In the context of meditation as understood in popular culture, the lower abdomen whimsically lacks a navel, the historically clichéd object of meditation, causing the viewer to wonder whether the meditator in the painting is a holy incarnation not born of a woman. The viewer observes that the head of the subject does not fully connect to the body; the two are separated by a strip of the orange color from the box that surrounds the head. One could read into this that the nirvanic state of the meditator is all within the mind, disembodied, the concept of which does align with classic Buddhist perspectives.

The goal of meditation is enlightenment, whose common metaphor is light. Meditation is practiced in the mind—in the head—, yet the color scheme of the meditator’s body in the painting casts the darkest shades on the head and the lightest ones on the nonexistent hands, reversing the typical expectation and intimating that perhaps through the hands one expresses one’s degree of spiritual development, as Elam may be attempting to do in this work.

Pat Breslin Vulcan Days

Pat Breslin Vulcan Days

Painting Of The Day

Friday, October 9th, 2009
www.MikelElam.com

www.MikelElam.com

Guest Blogger Mikel Elam, “I think this self portrait says a lot about me and my work. My paintings have been mostly about signs and symbols. It started early in my life when I began to notice patterns of numbers shadowing my everyday existence.

First I thought it was just chance and then as time passed, I realize there are very few coincidences. In portraiture and figure studies there are a great deal of measurements used to create an accurate representation. As an expressionistic painter, I use my emotions and my imagination to create images which are symbolic to my thoughts. In essence, they become these dreamscapes and very surreal in nature. I am interested in that place which is somewhere between reality and the ethereal.

Mikel Elam And Miles Part 2

Thursday, September 24th, 2009
The Death Of Miles

The Death Of Miles

…..After the death of his friend Miles Davis, guest blogger Mikel Elam returned to Philadelphia to continue on with his painting. It was around that time that I was introduced to Mikel by a mutual friend. I was interested in meeting anyone that knew anything about Miles. So when my friend told me that Miles former assistant was back in town, I immediately wanted to meet him. In many way’s I idolized the jazz legend. I was introduced to his music at a very early age. Jazz music was a focal point of life growing in the Ward household.

My father, Milton Ward adored Miles Davis and so did many of his peers. His groundbreaking album “Kind of Blue”, became an auditory mantra in our home, as well as the many collaborations that Miles produced with other noted performer’s including Gil Evans. Mikel Elam became an encyclopedia of information about Miles, intimate knowledge that any fan would love to learn about. Mikel and I have shared many evening’s reflecting about the life and time’s of the man that was ” Miles Ahead” and here for the first time at Tony Ward Studio, in his own word’s talks about the legends last days….

Solo Works By Mikel Elam,

Solo Works By Mikel Elam

“Near the end of his life Miles commissioned me to create five new painting’s for his Central Park Apartment. One of the last thing’s he said to me in the hospital before his death was, how much he appreciated my artwork and growth as a person. Miles will never know how inspirational he was to me.

There are two things which we can be certain. After birth there will be death. Yet when it happens we are always shocked. It seems like Miles worked almost to the last day of his life, excluding the three weeks in a coma before his passing. The last show was at The Hollywood Bowl. There were the usual legions of celebrities waiting to get a glance, or a few words with the great maestro. I saw Marlon Brando standing outside the entrance of our dressing room. It was a beautiful night.

After the show, Miles rode back to his Malibu home without me. He told me to order some art supplies as he was taking a few week’s off to paint. “Have them delivered”, he said in his raspy voice.

I now lived in Los Angeles full time and Miles was happy I had created a new life for myself out there. He encouraged the move even though he often quoted he was a die hard New Yorker. I began to get concerned when I did not hear from him for several day’s as we usually spoke by phone daily sometimes just to bounce some thought’s around. I called but there was no answer.

One of our mutual friends, Marie Christine called to tell me he was in the hospital. I called him at St. John’s and Miles told me he was only going to be there for one to two day’s, just to check his lung’s. He was prone to pneumonia and was diabetic, so extra precaution’s were taken by hospital staff. He asked me to bring him some friend chicken from a place near where I lived in Hollywood.

I arrived at the hospital and found him sitting in a chair in his room. He was very happy to see me. He was watching television. We talked about everything. He was full of compliment’s for me. I was surprised, as he was always supportive, yet in a less sentimental way. This time it was different, like a father talking to his son.

The next day Miles went into a coma brought on by a stroke. He laid in his hospital bed for about three week’s with his family and closest friend’s around, all hoping he would pull through.

Family had to investigate so many issues. Miles was very close to his brother Vernon and his sister Dorothy. Unfortunately they didn’t have a clue about how to handle his affair’s. I tried to help them with what I knew, yet I only had a small knowledge of his vast empire.

I didn’t expect him to die. Miles was incredibly resilient even though I realized he had a great number of maladies. Somehow he always managed to keep moving, like a phoenix rising out of the ashes.

Many of his friend’s in the inner circle were in a state of shock. Some said thing’s like, “I just talked to him yesterday, he sounded great”. There was a fall tour planned. We all thought we would continue on that splendid journey that everyone knew so well. Now the journey is in my head, even though it has been eighteen year’s since his passing. I still think about Europe in the fall, Japan in the summer, South America in winter and North America in between.”

www.MikelElam.com

www.MikelElam.com

Mikel And Miles

Tuesday, September 22nd, 2009
Guest Blogger Mikel Elam On Miles

Guest Blogger Mikel Elam On Miles

….Mikel Elam spent several years globetrotting with the legend, Miles Davis, as his personal assistant. Very few people have had the opportunity to spend time with the jazz master both in and out of the spot light. In his own word’s Mikel blogs about his personal relationship with Miles, and yes the paintings they worked on together……

Mikel Elam Painted With Miles

Mikel Elam Painted With Miles

…..”I met Miles in October of 1987. I was moving from one freelance job to another disenchanted with my adult life as an artist. A friend of mine who knew Miles introduced me to him and we clicked immediately. Miles asked if I would travel with him as his on the road assistant. Our day to day activities included traveling the world to perform shows, attend press conferences, photo shoots for magazines and advertising campaigns for various companies. During the initial days of working for him, Miles was finishing his soon to be released memoirs and then a little later his first starring role in a film entitled, “Dingo”.

A lesser known activity for Miles was creating paintings and drawings wherever we traveled and whenever there was a free moment he explored this passion with great enthusiasm. One of my special asset’s was a good knowledge of artist materials as I have a BFA degree in painting.

I often observed Miles while he was drawing and painting and as time passed, he began to ask me to contribute some of my ideas to his canvases. For about one year I said no, out of pure fear. I had placed my own artistic career in a bubble thinking one day I would burst that bubble and work on my painting’s again. I had lost my drive mostly because the day-to-day survival of working for Miles had become a grueling process. Working for him and being on the road constantly was both exciting and all consuming.

Miles told me at his Malibu home one day, “Mikel you have to learn to do many thing’s at one time.” He had a big canvas laid out on a large worktable. He stated in a very serious way, “Put some paint on this canvas”. I decided to try and paint again, as it was late at night and I did not have him around to look over my shoulder. The next morning he got up before me and when I went downstairs he looked at the canvas and said, “Mikel it’s a motherfucker”. That was his way of expressing that he enjoyed what I had done.” Several more collaborations with Miles were soon to follow.”……

Art By Mikel And Miles

Art By Mikel And Miles

…to learn more about Mikel Elams Artwork, log on to http://www.mikelelam.com